Check. All present and acounted for. Proof of life:
Thanks to Dogpossum for the photograph, taken in Tasmania, December 2004 (obviously before my current glamourpuss incarnation. Really).
'...what can one do, if the only straightforward task of every intelligent man is pointless chattering, the deliberate pouring out of emptiness.' Dostoevsky, Notes from Underground
Thanks to Dogpossum for the photograph, taken in Tasmania, December 2004 (obviously before my current glamourpuss incarnation. Really).

I can be calmed by the water, whether I'm walking alongside it, or skimming over it on the ferry. There's no opportunity for cobwebs to gather while my hair is whipped by the wind created by the movement of the ferry.
I can feel the sun warm my skin and anticipate the full bloom of the flame trees, which are just beginning to flower.
"There needs to be protection. I do believe kids need to be protected from themselves and from their impulsivity and their lack of risk assessment and lack of prioritisation," Dr Carr-Gregg said.
"I think one way we can do this is by having a blanket ban on all camera-enabled (and) internet-enabled mobile phones in schools.
"I just think we shouldn't allow them. We've seen repeated incidents of happy-slapping, assault, kids shrieking with joy when they caught a particularly vicious assault on camera, and that's at school.''
Dr Carr-Gregg said the issue of bullying had moved beyond the schoolground and into cyberspace.

The Oxford Street exodusI fear I'm slipping into pedantry here, or I would if Brad wasn't just plain wrong. What he describes is a metonym, not a metaphor. He should have said 'Oxford Street is metonymic of the gay community in Sydney', meaning it is one part of the gay community that is read as representative of the whole of the gay community. The gay community cannot take on the qualities of the gay community--which is the signifying process of a metaphor, by way of comparison--because it already is the gay community.
October 18, 2006
OXFORD Street is the homosexual heart of Sydney. Mardi Gras marches down it, gay clubs and shops have sprung up along it; it's a metaphor for the visible gay community.



It begins:Let me tell you about ice. There are a few things you should know: firstly, it's not white. Usually it's blue, almost a turquoise, almost warmly Mediterranean. Sometimes it's not even blue, but yellow or maybe orange. That's when the sun is setting. Sometimes it seems that the sun is always on the point of setting up here. It's not, of course. It's just that often it is so low that all the light is scattered, and for a small while, just a few seconds, it is so beautiful you could forget to breathe. Stupid to forget to breathe, I know, but it happens. You forget to breathe and then you have to take a great mouthful of air and gasp at the coldness of it.




It began when I arrived home from the University, via the city where I picked up some stinky cheese and olives, only to discover that I didn’t have my keys on me. Anywhere. You know the scenario. You pat all your pockets; tip out every bag you have onto your front doorstep and scrabble through the contents, all to no avail. I called the real estate, which is just up the road from me, to see if I could get hold of a spare key. The person who answered the phone told me she was from sales and the property management staff had gone home half an hour ago. And then she laughed. I’m not sure that was the best thing she could have done at that point. I briefly wondered whether the agents weren’t supposed to be a bit more helpful in such situations, or at least offer some kind of after hours assistance. I always feel as though I’m speaking another language when I try to communicate with real estate people; I find them singularly unhelpful and uncomprehending. I want to get away from them as quickly as possible, which probably doesn’t make me the best communicator in such circumstances.
Before you start cooking though, it’s important to be careful in your selection of okra. I’ve seen okra in Woolworths plenty of times, but the fingers have just been too big, so you know the seeds are going to massive and the taste not terrible nice. Jaffrey advises ‘the smaller pods are more tender’ and I liken the selection process to that of zucchinis; you’re not trying to buy the results of the biggest vegetable competition, you’re buying for texture and taste.
If you really hate the slimy manifestations of okra, then frying is the way to go. Jaffrey says that through frying okra ‘all its mucilage disappears entirely’. I’ve done it the easiest way for this post. A recipe isn’t really required, since I just sliced it on the diagonal and pan-fried it on a medium heat until it coloured, then seasoned it with salt and pepper.
Here I just scattered it over a basic chickpea and tomato dish, and served it with couscous.
Next you’re supposed to remove the seeds by scraping them away with the tip of the knife. I wasn’t too fussy about this, some got left behind but since the okra was small it didn’t affect the digestibility of the final product in any way.
Measure 115g of chickpea flour into a bowl, slowly add 200ml of cold water, mixing as you go. I had to put down my whisk while I added the water. Whenever I read this kind of instruction, I wonder. I guess there are people in the world who have bowls that stay securely on their benches. You should aim for the consistency of a pancake batter. I can’t really help you if you’ve never made pancakes—on the thin side, I suppose.
Add some salt, cayenne pepper and ground turmeric. I tend to be a bit Jamie Oliver in these measurements, some good hearty pinches. Go lightly on the cayenne pepper if you’re a baby (or a kitten) when it comes to hot things.
Heat up four cm of oil in a deep pan. Set the burner for a low medium heat, because these are quite slow cooking compared to other fried things I think. Add the okra into the batter.
After removing the okra from the pan and draining them on absorbent paper, I sprinkled it with sea salt and dipped the fritters in chilli jam.
Bon apétit, mes petits escargots!
Every year the BIFF presents a silent film which is screened to the accompaniment of organ music. Whatever film is playing it’s a bit of a special occasion because we just don’t have these kind of cinematic experiences any more; any extra-filmic music is usually courtesy of those miscreants who still haven’t figured out that it’s just plain rude to leave your mobile phone on in the cinema (or haven’t the poor dears figured out the silent mode of their phones, yet?). I always feel like I’m getting two for the price of one, a concert and a film experience (when I see the silent films that is, not when I’m distracted by the ignorant mobile phone owners).
This year the film was one that, until very recently it was thought, had been lost to the annals of decay. Then someone was scavenging through an un-catalogued archive in the Netherlands somewhere and found a near complete copy. It was promptly restored and now you can get it on DVD. People who know about these things were very excited about the discovery of Beyond the Rocks, not only because it’s an old film, but because it was an unusual film for its time since it featured two stars of Hollywood in the one film, Gloria Swanson and Rudolph Valentino. While this kind of double act is fairly common practice now, apparently, at the time, it was not. Gloria Swanson read the move as a slap on the wrist for daring to ask for more money for the films in which she starred; she maintained that putting her in a film with Valentino was a way of reminding her that she was not the star she thought she was. One wonders what kind of atmosphere this knowledge made for while shooting, but any fears that there would be fisticuffs at dawn between Rudy and Gloria as they vied for superior star status were, we learnt, put aside because they really were very good friends. Oh, I love a happy ending.
Still, when the competition is Rudolph Valentino, not too many would stand a chance. I swear, I had to catch my breath and fan my face; I was all aflutter after watching Valentino on screen. The appeal of him as an actor and sex symbol is more than obvious. Dr H. credits Valentino with giving her a crisp white shirt and cuff links fetish, and while the man himself was beautiful in his own right, the fashion of the 1920s and the costumes in the film did him no harm whatsoever.